Scultori dello Stato di Milano (1395-1535)

Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press
Scultori dello Stato di Milano (1395-1535), Mendrisio Academy Press

Academy of Architecture

By analysing issues of an attributional, iconographic and iconological nature, and studies in depth of the relationship of sculpture and architecture with social issues ‒ such as the management and organisation of building sites, the relation between the centre and the periphery, and the ties between workshops and individual craftsmen ‒ this volume offers a complete tool for understanding the complex panorama of sculpture in the State of Milan from the late 14th century to the early decades of the 16th century. The broad timespan examined, during which the Visconti were succeeded by the Sforza and then the French, enables us to follow the cultural and stylistic changes that characterised Milanese art between Late Gothic and the late Renaissance and to focus on the work of those sculptors who most influenced the artists contemporary with them: above all, the Masters of Campione and Carona, Jacopino da Tradate, the brothers Cristoforo and Antonio Mantegazza, Giovanni Antonio Amadeo, Cristoforo Solari and Bambaia, active, on various occasions and on several levels in the major building sites in the area, namely the Cathedral of Milan and the Charterhouse of Pavia, veritable centres of irradiation of Lombard figurative culture in the period. Furthermore, the emphasis placed on the movements made by the native workers in these Milanese regions and on the cultural and artistic exchanges that accompanied these movements, performed above all by the so-called “masters of the lakes”, means that the research it presents goes beyond the boundaries of Milan, ranging from Spain to modern Silesia and taking in Liguria, Venice, Ferrara, the Rome of Andrea Bregno and in the Sicily of Domenico Gaggini, bringing out the great scope of the themes addressed in the various contributions brought together in this volume.
Texts by: Alessandro Barbieri, Beatrice Bolandrini, Massimiliano Caldera, Laura Damiani Cabrini, Grégoire Extermann, Laura Facchin, Giuseppe Fazio, Rosa López Torrijos, Predrag Marković, Fernando Marías, Giovanni Mendola, Mirko Moizi, Charles R. Morscheck, Thomas Pöpper, Marco Scansani, Martina Schirripa, Federica Siddi, Mariusz Smoliński, Andrea Spiriti, Michela Zurla.