Theatre of the Architecture
This new monograph celebrates the complete oeuvre of Heinrich Tessenow (1876-1950), regarded as one of the greatest German architects of the first half of the 20th century. The book explores the significance that his buildings, writings and drawings still have today. With precise research into the written, designed and built work, the curator Martin Boesch, an architect and scholar from Zurich, and the authors whom he has brought together here present a new portrait of the figure of Tessenow. Best known for his small residential buildings for workers, craftsmen and the lower middle class, Tessenow actually mastered large scale and urban planning equally confidently. The book focuses in particular on Tessenow’s iconic buildings, such as the Böhler House in Saint Moritz, the school in Kassel and that in Klotzsche, the conversion of the Neue Wache in Berlin and the great hall with columns fronting the beach at Prora. But the contributions of the over thirty scholars collected here cover the German architect’s whole output, organising it into three thematic areas: Building in the Landscape, Projects for the City, The Big House and the Small House.
Texts by: Gerald Adler, Renate Amann, Vitangelo Ardito, Theodor Böll, Martin Boesch, Alessandro Bonizzoni, Michele Caja, Giacomo Calandra di Roccolino, Philipp Esch, Hartmut Frank, René Furer, Wilhelm Hoffmann, Christian Kerez, Karl Kiem, Bettina Köhler, Carsten Liesenberg, José Ignacio Linazasoro, Quintus Miller, Joao Nunes, Luca Ortelli, Nicola Panzini, Steffi Platte, Alessandro Porotto, Peter Prohl, Bruno Reichlin, Nils Schinker, Elia Schneider, Jonathan Sergison, Miroslav Šik, Martin Steinmann, Ann-Christin Stolz, Adolph Stiller, Heinrich Tessenow, Jurjen Zeinstra.
Heinrich Tessenow. Avvicinamenti e progetti iconici
edited by
Martin Boesch
30 x 28.5 cm, 532 pp.
1300 ill. b/w and col.
hardcover
italian
Silvana Editoriale
ISBN 9788836652105
€ 90 / frs 90.-
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An artist of international renown based in Belgium, Koen Vanmechelen has centered his work on the relation between nature and culture throughout the course of an almost forty-year-long journey. Acclaimed for his exploration of the intersections between art and science, the artist tries, through his projects, to understand and pose questions on the great challenges of the 21st century. Sculptor, painter, performer, filmmaker, as well as a human rights advocate, the artist has rounded out his projects for the hybridization of both animals and plants with the contamination of the figurative arts, of materials and media making formal proliferation within conceptual complexity his own personal earmark on a creative universe that is as unique as it is unmistakable. This catalogue of the exhibition illustrates more than sixty-five pieces ‒ which were all realized between 1982 and 2019 ‒ intended to highlight the more strictly plastic aspects of his body of work.
Texts by: Boas Erez, Mario Botta, Didi Bozzini, James Putnam, Marcus Thelen, Pierluigi Panza, Koen Vanmechelen.
Koen Vanmechelen. The Worth of Life 1982-2019
edited by
Didi Bozzini
27 x 27 cm, 222 pp.
80 ill. col., 23 ill. b/w
hardcover
english / italian
Silvana Editoriale
ISBN 9788836645015
40 € / 40.‒ frs
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Louis Kahn e Venezia: rapporti umani, progetti, mostre, incontri con gli studenti, conferenze e riflessioni speciali, come quella improvvisata sul tetto di Palazzo Ducale, davanti alle cupole marciane. Ogni capitolo di questa liaison apre pensieri su temi complessi: il rapporto tra la memoria del passato e la cultura del presente; la rilettura dell’architettura antica da parte di un visionario moderno; il rapporto tra architettura e ingegneria in un Palazzo immaginato come un grande ponte sospeso; la ricezione dell’opera di Kahn in Italia e la speranza progettuale della cultura moderna. Dalla somma di queste esperienze emerge la lettura che Louis Kahn fa di Venezia, ancora oggi meritevole di essere approfondita sia in chiave storica sia in relazione ai problemi odierni della città.
Testi di: Elisabetta Barizza, Mario Botta, Fulvio Irace, Gabriele Neri, Werner Oechslin.
Louis Kahn e/and Venezia
edited by
Elisabetta Barizza, Gabriele Neri
27 x 27 cm, 222 pp.
50 ill. col., 150 ill. b/w
hardcover
english / italian
Silvana Editoriale
ISBN 9788836641628
€ 50 / frs 50.‒
Out of stock
The book presents a series of installations, conceived and built by Riccardo Blumer’s students at the Mendrisio Academy of Architecture. They are a further stage in a distinctive educational process where the fundamental principles of architecture are learned in particular by reflecting on the role of the human body: emphasising its poietic role (the body that builds objects), its scenic potential (the body as a spatial device in motion) and its function as a unit of measurement of the world. The students then identified two areas of investigation to be combined. On the one hand a simple, archetypical architectural theme (door, wall, path, etc.); and on the other, a reflection that investigates physical phenomena and their relation with the body, using electronics, programming, bricolage, etc. The result is a set of installations, which the observer’s body can interact with, and which gives rise to a meditation on the primary themes of architecture.
Atelier Blumer. Seven Automatic Architectures and other exercises
edited by Gabriele Neri
14 x 22,5 cm, 108 pp.
54 ill. col., 28 ill. b/w
paperback
english / italian
Corraini Edizioni
ISBN 9788875707149
€ 20 / frs 23.‒
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